March 10th, 2010
Blakely Dadson At Chambers | A Portland newcomer stakes his claim on glitter.0 comments
February 10th, 2010
April Surgent at Bullseye, Alexis Mollomo at Ogle | Two new shows take on identity and demons. 0 comments
January 27th, 2010
Jenene Nagy At Disjecta | Portland’s Christo goes big.0 comments
January 13th, 2010
The Dregs Marylhurst Art Gym | Two artists sift through a dead man’s life.4 comments
December 30th, 2009
Best Of Visual Arts 2009 | 2009 kicked the Portland art scene’s ass—but it kicked back. 0 comments
December 9th, 2009
Mel George At Bullseye, Reiner Riedler At Blue Sky | Wishing you were someplace—anyplace—else.0 comments
November 18th, 2009
China Design Now Portland Art Museum | PAM’s new show unwittingly plays into the worst stereotypes of Communist China.3 comments
October 7th, 2009
The Century Project At Bamboo Grove | Photographer Frank Cordelle wrestles with body acceptance.74 comments
September 30th, 2009
High Art | Tom Cramer resurrects the psychedelic ’60s.3 comments
August 19th, 2009
Shits & Giggles At Launch Pad | Jeremy Okai Davis paints the halcyon days of summer.0 comments
![]() Matt King’s Feedback Reflex Lite |
[April 8th, 2009]
What’s your IQ? How much money did you make last year? What’s your waist size, your bra cup, your dick length? Richmond, Va.-based artist Matt King wants to know. And while we’re at it, how old are you, anyway? Is your girlfriend younger than you (cradle robber!) or richer (gold-digger!)? Science Diet, King’s thought-provoking show at Fourteen30 Contemporary, makes us confront our place on the biological and social continuums by which we’re judged. In his sculpture-intensive show, the artist draws out viewers’ insecurities, pitting id and ego against the finger-pointing schoolmarm of the superego. These themes are most apparent in his steel-pole sculptures with height measurers attached and platforms for symbolic paraphernalia: a male fertility testing kit, a container of ant poison, a child’s geology set, a skin cancer self-screening test. How mobile are your sperm, the sculptures demand—how insect-impervious your home, how melanoma-free your face?
These probings grow more inscrutable and extreme in Feedback Reflex Lite, a gargantuan steel sculpture with six unwieldy, basketlike legs and a long metal tail with a rearview mirror on its end. At the base of each leg, ringing the core of this fearsome-looking creature, is a clear circle depicting iconic images: abstracted human organs, a cat lapping up food or drink, and, most ominously, a clock. Although the basket legs look womblike, they are cages that contain nothing but air; vessels that could not hold water, gestate children, or carry dreams. The rearview mirror trailing behind catches reflections of life as it flies past. And the iconic images so close to the sculpture’s empty heart speak to the fallibility of our bodies, the trappings of materialism and domesticity, and the ruthless, unflinching scorekeeper of the biological clock. As a whole, the piece enumerates Kafka-esque grotesqueries that afflict the flesh and the neuroses that besiege the mind.
Or maybe that’s just my projection. Thoughtfully conceived, well-executed art—which King’s most certainly is—adapts to the viewer’s reference points. Science Diet is a kind of Rorschach test, beckoning you to take it—if you dare.
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