August 25th, 2010
Sherrie Wolf At Laura Russo | Zooming in on painting’s most famous faces.0 comments
August 11th, 2010
Kelly Rauer At New American Art Union | The body electric, unplugged.0 comments
July 14th, 2010
Wood In 3-D | Northwest artists yell “timber.” 0 comments
July 7th, 2010
John Dempcy At Augen/Laurie Reid At Pulliam | Bookends of experience. 0 comments
June 16th, 2010
Jascha Owens At Launch Pad | So bad it’s good...on purpose.0 comments
June 9th, 2010
Bailey Winters At New American Art Union | Having our cake and tweeting it, too.0 comments
May 12th, 2010
Gus Van Sant PDX Contemporary Art | The director mashes up paradoxical states.0 comments
April 14th, 2010
Ply The Wood | The artist as mad scientist- lumberjack.0 comments
March 17th, 2010
Portland 2010 | Disjecta’s biennial takes the art scene’s pulse. And it’s stronger than ever.0 comments
March 10th, 2010
Blakely Dadson At Chambers | A Portland newcomer stakes his claim on glitter.0 comments
![]() Matt King’s Feedback Reflex Lite |
[April 8th, 2009]
What’s your IQ? How much money did you make last year? What’s your waist size, your bra cup, your dick length? Richmond, Va.-based artist Matt King wants to know. And while we’re at it, how old are you, anyway? Is your girlfriend younger than you (cradle robber!) or richer (gold-digger!)? Science Diet, King’s thought-provoking show at Fourteen30 Contemporary, makes us confront our place on the biological and social continuums by which we’re judged. In his sculpture-intensive show, the artist draws out viewers’ insecurities, pitting id and ego against the finger-pointing schoolmarm of the superego. These themes are most apparent in his steel-pole sculptures with height measurers attached and platforms for symbolic paraphernalia: a male fertility testing kit, a container of ant poison, a child’s geology set, a skin cancer self-screening test. How mobile are your sperm, the sculptures demand—how insect-impervious your home, how melanoma-free your face?
These probings grow more inscrutable and extreme in Feedback Reflex Lite, a gargantuan steel sculpture with six unwieldy, basketlike legs and a long metal tail with a rearview mirror on its end. At the base of each leg, ringing the core of this fearsome-looking creature, is a clear circle depicting iconic images: abstracted human organs, a cat lapping up food or drink, and, most ominously, a clock. Although the basket legs look womblike, they are cages that contain nothing but air; vessels that could not hold water, gestate children, or carry dreams. The rearview mirror trailing behind catches reflections of life as it flies past. And the iconic images so close to the sculpture’s empty heart speak to the fallibility of our bodies, the trappings of materialism and domesticity, and the ruthless, unflinching scorekeeper of the biological clock. As a whole, the piece enumerates Kafka-esque grotesqueries that afflict the flesh and the neuroses that besiege the mind.
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Or maybe that’s just my projection. Thoughtfully conceived, well-executed art—which King’s most certainly is—adapts to the viewer’s reference points. Science Diet is a kind of Rorschach test, beckoning you to take it—if you dare.
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