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MUSIC COLUMN
Kenny G. Is Burning:
Arrington de Dionyso Baptizes Smooth Jazz in a Sea of Blood
Singer Promises "Alchemy" in Improv Meltdown

BY ZACH DUNDAS
zdundas@wweek.com

Arrington de Dionyso, Mark France & Gioela Pagliaccia

Bijou Cafe
132 SW 3rd Ave., 222-3187
9 pm Friday,
June 23
Donations welcome

The Dionyso/F&G show is part of the Improvised Music Series,
one of Portland's experimental music strongholds.

Old Time Relijun's latest release, a five-song EP called La Sirena de Pacera, is available from Olympia's K Records.

Old Time Relijun pops up in the damnedest places. The Hermetic Fellowship, a crew of Portlanders serious about building a mystery, name-checks the band on its Web site:
www.teleport.
com/~aforrest/
HFWeb/
HFindex.html.

 

 


The Northwest music world offers few spectacles as unsettling as Old Time Relijun. The Olympia band's primitive pounding blazes loud and clear in a scene that's often too precious to be believed. Singer/guitarist Arrington di Dionyso seems seized by dark Knowledge, and his caterwauling ricochets through your unconscious for days after a show. This week, di Dionyso visits Portland for a solo experimental performance, sure to be an absorbingly weird display. I spoke with Olywa's prophet of doom via telephone.

Willamette Week: So, what's up with the solo show?

Arrington de Dionyso: I'll be presenting a new improvisational piece titled Abraxasaxophonic Smooth Jazz Vagina. The piece is my attempt to alchemically fuse the two most disparate present-day strains of what used to be jazz: completely free-form, abrasive avant-garde jazz, and smooth jazz, which is marketed as something to help your work day go easier. These two things both grew from the same seed, from New Orleans, from brothels and taverns. I'll be playing, and while I'm doing free jazz, I'll have a radio on playing whatever smooth jazz station I can find. In the Kabbala, they talk about extracting the spark of light from the mass of dark matter, and I'm trying to extract whatever spark of light remains buried in smooth jazz.

Devious. How'd you think of all this?
When Old Time Relijun was on tour, we kept tuning into smooth-jazz stations. There's a smooth-jazz station in every city and country hamlet. We discovered that if you turn up your car stereo, you start getting all this distortion, and suddenly smooth jazz sounds really different. And I thought it'd be interesting if I played along with that.

What will you play?
I'll have a bass clarinet, an alto sax and a contralto clarinet.

Did you hijack your high school band's bus?
I just pick up whatever I can, whenever I can. The bass clarinet I practically stole from a pawn shop in Oklahoma City. I mean, I'm sure it was stolen. I got it for $200, and then I took it to someone to look at, and he said, 'My God, it's worth a hell of a lot more than that.'

What does this solo effort mean for Old Time Relijun?
We just toured Europe, which was quite amazing. I still feel like we're a completely unknown band in the U.S., but our first show in Rome was completely sold out. People in the front row sang along with songs from the first album, which is out of print.

It's interesting that Europeans would take to your music, because I think of Old Time Relijun's sort of Pentecostal energy as typically American.
It's almost a cliché to have a band that's pushing the envelope over here be embraced over there. I mean, that's been going on since Josephine Baker in the '20s. We've sold more of the new album over there than we have over here--which still isn't a whole lot, of course. But we got great responses in Italy and France, and played in Slovenia, Croatia and the Czech Republic on the sort of Eastern Bloc part of the tour. Slovenia, which was just one show, was incredible. That show wasn't in a city, it was in more like an abandoned town. We asked a girl what the industry around there was, and she said, 'Well, there was a chemical plant, but it closed down 15 years ago.' And it was overrun by giant frogs.

Frogs?
Yeah, it was the middle of the mating season for this species of giant frog they only have in Slovenia. We drove into town and saw this warning sign, basically saying "FROG CROSSING." And then we saw the corpses of thousands, I mean thousands, of giant frogs. It was like the second or third plague in Exodus, or whatever.

That must have delighted you.
Yes.

 

 



 

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